Written by \u00c1ki \u00c1sgeirsson
\n\u00feri\u00f0judagur, 18 mars 2008<\/p>\n
Undirrita\u00f0ur var \u00feess hei\u00f0urs og \u00e1n\u00e6gju a\u00f0nj\u00f3tandi a\u00f0 vera fulltr\u00fai \u00cdslands \u00e1 raft\u00f3nlistarr\u00e1\u00f0stefnunni in-EAR (Nordisk Forum for musikalsk informatik) sem f\u00f3r fram \u00ed b\u00e6num V\u00e4xj\u00f6 \u00ed Sv\u00ed\u00f0\u00fej\u00f3\u00f0 dagana 15. og 16 mars 2008.<\/p>\n
\u00deetta er anna\u00f0 \u00e1ri\u00f0 sem r\u00e1\u00f0stefnan er haldin og eru frumkv\u00e6\u00f0ismennirnir \u00feeir Hans Peter Stubbe Teglbj\u00e6rg, fr\u00e1 Feney vestan Danmerkur, og Hans Parment fr\u00e1 V\u00e4xj\u00f6 (sem m\u00e6tti kalla Vogsj\u00f3). Hinn s\u00ed\u00f0arnefndi er kennari vi\u00f0 Media Artes stofnunina \u00ed V\u00e4xj\u00f6 \u00fear sem r\u00e1\u00f0stefnan f\u00f3r fram.<\/p>\n
R\u00e1\u00f0stefnan er hugsu\u00f0 sem vettvangur fyrir norr\u00e6na raft\u00f3nlistarmenn a\u00f0 kynna verkefni s\u00edn hver fyrir \u00f6\u00f0rum. \u00dearna voru komnir saman 22 \u00fe\u00e1ttakendur sem flestir h\u00e9ldu stutta fyrirlestra. Stemmingin var yfirvegu\u00f0 og \u00fe\u00e6gileg, umhverfi\u00f0 r\u00f3legt (byggingin h\u00fdsti \u00e1\u00f0ur ge\u00f0sj\u00fakrah\u00fas) og maturinn st\u00f3rkostlegur.<\/p>\n
Undirrita\u00f0ur kom ekki n\u00f3gu t\u00edmanlega a\u00f0 hl\u00fd\u00f0a \u00e1 fyrstu fyrirlestrana og missti \u00fev\u00ed af \u00feeim Harold ME Viuff (DK), Wolfgang Peter (SE), Risto Holpainen (SE) og Hans Peter Stubbe Teglbj\u00e6rg. Af \u00feessum t\u00f3nsmi\u00f0um vil \u00e9g \u00fe\u00f3 nefna s\u00e9rstaklega Harold ME Viuff sem \u00e9g n\u00e1\u00f0i a\u00f0 r\u00e6\u00f0a vi\u00f0 um verkefni hans. Hann er t\u00f3nsk\u00e1ld, raflistama\u00f0ur, kafari, vatnssprengis\u00e9rfr\u00e6\u00f0ingur og gosbrunnager\u00f0arma\u00f0ur. \u00c1 in-EAR kynnti hann n\u00fdja \u00fer\u00edv\u00ed\u00f0a dj\u00fapne\u00f0ansj\u00e1varhlj\u00f3\u00f0uppt\u00f6ku \u00far kyrrahafinu (8 hlj\u00f3\u00f0nemar \u00ed hring, 1 upp og 1 ni\u00f0ur \u00e1 90 metra d\u00fdpi). Fleiri uppl\u00fdsingar um Harold er a\u00f0 finna \u00e1 heimas\u00ed\u00f0u hans: http:\/\/viuff.com\/<\/p>\n
Eftir kaffi kynnti Fredrik Hedelin t\u00f3nsm\u00ed\u00f0aforritunarumhverfi sitt sem hann kallar Kimon. \u00de\u00f3 \u00e9g hafi s\u00f6kum s\u00e6nsku ekki skili\u00f0 Fredrik til fulls, vir\u00f0ist m\u00e9r kerfi hans vera nokku\u00f0 “hef\u00f0bundi\u00f0” umhverfi til algr\u00edmskra t\u00f3nsm\u00ed\u00f0a. Reyndar er \u00fea\u00f0 umhugsunarefni hvort \u00fea\u00f0 s\u00e9 yfirleitt eftirs\u00f3knarvert a\u00f0 b\u00faa til s\u00e9rh\u00f6nnu\u00f0 t\u00f3nsm\u00ed\u00f0aforritunarumhverfi \u00fear sem \u00fea\u00f0 felur alltaf \u00ed s\u00e9r skilgreiningu \u00e1 \u00fev\u00ed hvernig t\u00f3nlistin “\u00e6tti a\u00f0 vera”. \u00dea\u00f0 hefur l\u00edka s\u00fdnt sig a\u00f0 marka\u00f0urinn fyrir algr\u00edmsk t\u00f3nlistarforrit er ENGINN, enda hafa skapandi t\u00f3nlistarforritarar meira gaman af \u00fev\u00ed a\u00f0 forrita sj\u00e1lfir en a\u00f0 notast vi\u00f0 hugmyndir annara um \u00fea\u00f0 hva\u00f0 m\u00fas\u00edk er.<\/p>\n
N\u00e6stur \u00ed r\u00f6\u00f0inni var Peter Tornquist sem er s\u00e6nskur nor\u00f0ma\u00f0ur. Hann flutti \u00e1hugavert erindi um samband t\u00f3nsk\u00e1lds og flytjenda \u00ed sk\u00f6punarferli t\u00f3nsm\u00ed\u00f0a. \u00cd verkum s\u00ednum notast hann mj\u00f6g svo vi\u00f0 umritanir, \u00fe\u00fd\u00f0ingar, endurumritanir og \u00fe\u00fd\u00f0inga\u00fe\u00fd\u00f0ingar \u00fear sem spuni hlj\u00f3\u00f0f\u00e6raleikarana hverfist (e\u00f0a hverfur) inn \u00ed t\u00f3nsm\u00ed\u00f0ina auk \u00fdmsu “fundnu” efni, myndbrotum og texta sem er “\u00fe\u00fdddur” yfir \u00ed t\u00f3nlist me\u00f0 hj\u00e1lp t\u00f6lvu. A\u00f0fer\u00f0ir Peters vekja mann til hugsunar um st\u00f6\u00f0u t\u00f3nsk\u00e1ldsins \u00ed n\u00fdjum t\u00e6kniveruleika, v\u00e6gi flytjenda gagnvart t\u00f3nsk\u00e1ldi og \u00edmyndina um “listr\u00e6na meistarann” sem var\u00f0 til \u00e1 t\u00edmum Beethovens og mun hugsanlega l\u00ed\u00f0a undir lok \u00e1 21. \u00f6ldinni.<\/p>\n
Um kv\u00f6ldi\u00f0 voru haldnir t\u00f3nleikar \u00fear sem Kjell Tore Innervik (NO) l\u00e9k \u00e1 fj\u00f3r\u00f0ungst\u00f3natr\u00e9spil (sj\u00e1 http:\/\/www.quartertonemarimba.com\/ ) verk eftir Ivar Frounberg (NO) sem heitir “Waves and velocity of dawn and dusk”, umritun \u00e1 verki James Wood, “Elanga N’Kake singing to his craft” fr\u00e1 \u00e1rinu 1993 og a\u00f0 lokum s\u00edn\u00fdtt h\u00e1lfspunaverk eftir Peter Tornquist sem ber titilinn “Q\/Carving”. T\u00f3nleikarnir voru g\u00f3\u00f0ir \u00ed heildina (ekki of langir), Kjell Tore l\u00e9k mj\u00f6g vel \u00e1 marimbuna og stj\u00f3rna\u00f0i t\u00f6lvu af miklum myndarskap. <\/p>\n
Besta verki\u00f0 fannst m\u00e9r \u00fe\u00f3 vera hi\u00f0 and-skandinav\u00edska, verk bretans James Wood. A\u00f0ra t\u00f3nlist \u00feess tjalla \u00feekki \u00e9g ekki og \u00fe\u00f3 flutningur Kjell Tore hafi \u00e1tt st\u00f3ran \u00fe\u00e1tt \u00ed \u00e1hrifakrafti verksins hef \u00e9g fullan hug \u00e1 a\u00f0 kynna m\u00e9r t\u00f3nlist James Wood betur. Heimas\u00ed\u00f0a JW: http:\/\/www.choroi.demon.co.uk\/<\/p>\n
\u00c1 sunnumorgninum kynnti Ivar Frounberg doktors- og “p\u00f3stdoktors-“n\u00e1m \u00ed raft\u00f3nlist vi\u00f0 t\u00f3nlistarh\u00e1sk\u00f3lann \u00ed Oslo auk \u00feess a\u00f0 s\u00fdna d\u00e6mi um str\u00fakt\u00faral\u00edska hugsun \u00ed Max-umhverfi, Thomas Sandberg s\u00fdndi vefh\u00f6nnun s\u00edna sem er hluti af e.k. “t\u00f3nlist fyrir alla” verkefni \u00ed Danm\u00f6rku (sj\u00e1 http:\/\/www.thomassandberg.dk) og undirrita\u00f0ur kynnti nokkur verk s\u00edn sem notast vi\u00f0 raunt\u00edman\u00f3tnaskrift (n\u00e1nar tilteki\u00f0 skj\u00e1spunann “kvartett og fluga”, talfall og 356\u00b0).<\/p>\n
Eftir h\u00e1degi tala\u00f0i \u00c5ke Parmerud um nettengingar milli t\u00f6lva me\u00f0 \u00e1herslu \u00e1 v\u00edde\u00f3- og hlj\u00f3\u00f0sendingar og s\u00fdndi svo myndbrot \u00far dansverki s\u00ednu, “The Seventh Sense”. Verki\u00f0 er reyndar nokku\u00f0 flott, fimm samtengdar t\u00f6lvur, hver um sig me\u00f0 tv\u00e6r myndav\u00e9lar og skj\u00e1varpa, \u00fer\u00edr dansarar, samtengd lj\u00f3sast\u00fdringing, sumt \u00ed raunt\u00edma, sumt fyrirfram uppteki\u00f0, b\u00ed\u00f3myndat\u00f3nlistartilvitnanir, tekkn\u00f3 og dramat\u00edsk fantas\u00eda (sj\u00e1 http:\/\/www.youtube.com\/watch?v=2Xg4_I4VqmU og http:\/\/vids.myspace.com\/index.cfm?fuseaction=vids.individual&VideoID=25472680). Verki\u00f0 var s\u00fdnt \u00ed Danm\u00f6rku en s\u00f6kum fl\u00f3kinnar uppsetningar er \u00f3v\u00edst me\u00f0 fleiri s\u00fdningar.<\/p>\n
\u00cd lokin var framt\u00ed\u00f0 in-EAR r\u00e1\u00f0stefnunnar r\u00e6dd. Allir voru samm\u00e1la um nau\u00f0syn sl\u00edkrar r\u00e1\u00f0stefnu og hugmyndin er a\u00f0 endurtaka leikinn a\u00f0 \u00e1ri \u00ed Vogsj\u00f3 en jafnvel breyta fyrirkomulaginu \u00ed framt\u00ed\u00f0inni \u00feannig a\u00f0 r\u00e1\u00f0stefnan f\u00e6ri sig \u00e1 milli nor\u00f0urlandanna.<\/p>\n
mars 2008, \u00e1ki \u00e1sgeirsson<\/p>\n","protected":false},"excerpt":{"rendered":"
Written by \u00c1ki \u00c1sgeirsson \u00feri\u00f0judagur, 18 mars 2008 Undirrita\u00f0ur var \u00feess hei\u00f0urs og \u00e1n\u00e6gju a\u00f0nj\u00f3tandi a\u00f0 vera fulltr\u00fai \u00cdslands \u00e1 raft\u00f3nlistarr\u00e1\u00f0stefnunni in-EAR (Nordisk Forum for musikalsk informatik) sem f\u00f3r fram \u00ed b\u00e6num V\u00e4xj\u00f6 \u00ed Sv\u00ed\u00f0\u00fej\u00f3\u00f0 dagana 15. og 16 mars 2008. \u00deetta er anna\u00f0 \u00e1ri\u00f0 sem r\u00e1\u00f0stefnan er haldin og eru frumkv\u00e6\u00f0ismennirnir \u00feeir Hans Peter […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"_links":{"self":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/393"}],"collection":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=393"}],"version-history":[{"count":1,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/393\/revisions"}],"predecessor-version":[{"id":394,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/393\/revisions\/394"}],"wp:attachment":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}