Written by Gu\u00f0mundur Steinn Gunnarsson
\nm\u00e1nudagur, 07 j\u00fal\u00ed 2008
\n J\u00e1 \u00fe\u00e1 byrju\u00f0u fyrirlestrarnir, \u00fe\u00e1 byrja\u00f0i veseni\u00f0 mikla. \u00deetta er miki\u00f0 af f\u00f3lki, miki\u00f0 af sveittum ungum t\u00f3nsk\u00e1ldum, st\u00f3r kleinuhringur. James Clarke h\u00f3f leikinn \u00e1 \u00fev\u00ed a\u00f0 tala um verk sitt fr\u00e1 kv\u00f6ldinu \u00e1\u00f0ur sem \u00e9g ey\u00f0ilagg\u00f0i fyrir sj\u00e1lfum m\u00e9r me\u00f0 \u00fev\u00ed a\u00f0 bera \u00fea\u00f0 endalaust saman vi\u00f0 For Samuel Beckett eftir Morton Feldman, af \u00fev\u00ed a\u00f0 \u00fea\u00f0 byrja\u00f0i svipa\u00f0 en \u00e9g gat ekki hugsa\u00f0 um hva\u00f0 \u00fea\u00f0 var og af hverju \u00fea\u00f0 v\u00e6ri svona miklu l\u00e9legra en mikilfenglegasta \u00feessi t\u00f3nsm\u00ed\u00f0 allra t\u00edma (s.s. fsb eftir mf). \u00dea\u00f0 var \u00fev\u00ed merkilegt a\u00f0 \u00feessi snyrtilegi breti f\u00e6ri strax a\u00f0 tala um abstrakt expressj\u00f3nisma, nefnilega Clyfford Stills sem \u00e9g er samm\u00e1la um a\u00f0 s\u00e9 s\u00e1 mesti \u00far \u00feeirri deild. Hann \u00feuldi upp \u00e6vis\u00f6gu m\u00e1larans sem a\u00f0 er mj\u00f6g \u00e1hugaver\u00f0 og svona falleg \u201em\u00f3dernista-r\u00f3mant\u00edk\u201c um einyrkjann, Ives-inn, sj\u00e1lfst\u00e6\u00f0a listamanninn sem er ekki h\u00e1\u00f0ur neinum. Au\u00f0vita\u00f0 leiddi \u00fea\u00f0 af s\u00e9r alveg \u00f3ge\u00f0slega beisikk umr\u00e6\u00f0u og tveir amr\u00edskir spyrjendur f\u00f3ru hamf\u00f6rum \u00ed l\u00e9legum l\u00f6ngum og \u00f3markvissum spurningum sem eyddu t\u00edma vi\u00f0staddra og ullu almennri \u00f3gle\u00f0i. Umr\u00e6\u00f0an h\u00e9lst \u00e1 beisikk level en var\u00f0 kveikjan a\u00f0 heillri grein sem \u00e9g \u00e6tla a\u00f0 vinna \u00ed og kemur \u00e1 bloggi\u00f0 flj\u00f3tlega, og mun h\u00fan nefnast \u201ehef\u00f0bundin fram\u00farstefna.\u201c \u00dea\u00f0 var ekki fyrr en Ferneyh\u00e1urinn sj\u00e1lfur kom me\u00f0 rosalega fl\u00f3kna spurningu og \u00fea\u00f0 var ekki fyrr en \u00fe\u00e1 a\u00f0 m\u00e9r fannst \u00e9g vera kominn \u00ed Darmstadt og farinn a\u00f0 f\u00e1 eitthva\u00f0 fyrir peninginn. \u00cd spurningunni sag\u00f0i Fernerinn me\u00f0al annars \u201evarying levels of the sublime\u201c, \u201ea vortex that is somehow semantically sticky\u201c og svo \u201esemantic granulation.\u201c Gl\u00e6silegt og \u00fatfr\u00e1 \u00feessu f\u00f3r Clarke loksins a\u00f0 segja fullt af sni\u00f0ugum hlutum og tala um mismunandi hlutverk endurtekninga og \u00f3endurtekninga og hlj\u00f3mr\u00e6na hugsun s\u00edna. Ekkert \u00f3tr\u00falega merkilegt, ekkert \u00f3tr\u00falega n\u00fdtt e\u00f0a \u00f3fyrirsj\u00e1anlegt, en allt \u00ed lagi.
\n \u00cd h\u00e1deginu voru tv\u00f6 ung t\u00f3nsk\u00e1ld sem kynntu verkin s\u00edn sem voru ekkert \u00fea\u00f0 lei\u00f0inleg og ekkert \u00fea\u00f0 skemmtileg heldur, annar \u00feeirra f\u00e9kk \u00fe\u00f3 kr\u00fattstig \u00feegar hann sag\u00f0i a\u00f0 \u00feetta v\u00e6ri \u00feri\u00f0ji dagurinn \u00ed l\u00edfi hans fyrir utan Kanada \u00fear sem hann er f\u00e6ddur og alinn.<\/p>\n
Eftir h\u00e1degi var svo umr\u00e6\u00f0a \u00e1 \u00fe\u00fdzku (me\u00f0 \u00fe\u00fd\u00f0ingum) \u00e1 milli Manos Tsangaris og Klaus Lang, svona um l\u00edfi\u00f0 og bar \u00fea\u00f0 yfirskriftina hver semur t\u00f3nlistina. Almennt bara svona r\u00f6fl um h\u00e6ttulegar stefnur \u00ed skipuleggingu \u00e1 t\u00f3nlistarh\u00e1ti\u00f0um \u00fear sem h\u00e1t\u00ed\u00f0arskipuleggjendur fara a\u00f0 l\u00edta \u00e1 sig sem listamenn og koma me\u00f0 konsept sem setja allt \u00ed samhengi. Klaus Lang kalla\u00f0i \u00feetta mi\u00f0aldav\u00e6\u00f0ingu og bar \u00feetta saman vi\u00f0 \u00feegar hlutverk t\u00f3nsk\u00e1lds var bara a\u00f0 fylla inn \u00ed messuformi\u00f0 samkv\u00e6mt k\u00fanstarinnar reglum og te\u00f3l\u00f3gurinn r\u00e9\u00f0i. En \u00feeir f\u00f3ru p\u00ednu inn \u00e1 svona umr\u00e6\u00f0u sem ver\u00f0ur kannski kveikja a\u00f0 grein sum mun heita \u201eAdorno, Darmstadt og hetjurnar.\u201c<\/p>\n
Eftir a\u00f0 hafa reynt a\u00f0 hlusta \u00e1 \u00fe\u00fdzku f\u00e9kk \u00e9g hausverk og \u00feurfti kaffi og var\u00f0 \u00fear me\u00f0 a\u00f0 sj\u00e1lfs\u00f6g\u00f0u p\u00ednu seinn \u00e1 \u00e1hugaver\u00f0asta fyrirlestur dagsins, en \u00fea\u00f0 var Marco Stroppa a\u00f0 kynna sig og s\u00ednar p\u00e6lingar. St\u00f3rskemmtilegt alveg. P\u00e6lingarnar a\u00f0 v\u00edsu yfirleitt \u00e1hugaver\u00f0ari en t\u00f3nlistin, samt f\u00ednt. Hann tala\u00f0i miki\u00f0 um morf\u00f3l\u00f3g\u00edu en \u00feessi m\u00e1lv\u00edsinda morf\u00f3l\u00f3g\u00eda, nefnist or\u00f0hlutafr\u00e6\u00f0i \u00e1 alv\u00f6ru \u00edslensku. \u00deetta var einmitt \u00fea\u00f0 sem \u00e9g og Palli rifumst um um daginn \u00feegar \u00e9g vildi meina a\u00f0 tungum\u00e1l eins og enska e\u00f0a danska, sem hafa einfalda or\u00f0hlutafr\u00e6\u00f0i s\u00e9u l\u00e9legri en svona \u00e6\u00f0ri tungum\u00e1l eins og \u00feetta. En or\u00f0hlutafr\u00e6\u00f0in fjallar um hvernig or\u00f0 breytast, t.d. endingar og innri bygging, b\u00e6\u00f0i vi\u00f0 beygingar og stigbreytingar, breytingu fr\u00e1 nafnor\u00f0i \u00ed sagnor\u00f0 og svo framvegis. En Stroppa tala\u00f0i um b\u00fata sem hef\u00f0u svip me\u00f0 hvor \u00f6\u00f0rum og v\u00e6ru mis breytanlegir eftir \u201evigt\u201c semsagt a\u00f0 hann skapa\u00f0i h\u00edrark\u00edu af mikilv\u00e6gi b\u00fatanna \u00ed virkni, \u00feannig a\u00f0 \u00feeir mikilv\u00e6gustu yr\u00f0u minnst breytanlegir. \u00deetta voru fallegar p\u00e6lingar. \u00deetta var svona alv\u00f6ru name-drop og g\u00e1fna r\u00fank \u00fear sem hann tala\u00f0i um einhvern frakka sem bar saman l\u00edfverur og kristalla, Lock og ensku empir\u00edsistanna, knowledge theory, vitsmunav\u00edsindin g\u00f3\u00f0u og Tversky’s contrast model sem tengist \u00feessu me\u00f0 vigtirnar. Svo tala\u00f0i hann bara um verk s\u00edn og speisjaliseringu, og konsepti\u00f0 sitt chamber electronics, blad\u00edblad\u00ed, en mj\u00f6g \u00e1hugaver\u00f0ur fyrirlestur \u00ed alla sta\u00f0i \u00fear sem hann snerti \u00e1 m\u00f6rgu sem \u00e9g hef\u00f0 nennt a\u00f0 heyra heilan fyrirlestur um, \u00fer\u00e1tt fyrir mis\u00e1n\u00e6gjulegar n\u00e1lganir vi\u00f0 p\u00e6lingarnar \u00ed t\u00f3nlistinni.<\/p>\n
T\u00f3nleikar kv\u00f6ldsins voru klass\u00edskir t\u00f3nleikar. Leiknar voru allar et\u00fd\u00f0ur L\u00edget\u00eds auk \u00feess sem p\u00edan\u00f3verk eftir hann fr\u00e1 8.\u00e1ratugnum var einnig leiki\u00f0 en \u00fea\u00f0 heitir nafni sem \u00e9g man ekki, 3 or\u00f0 3 kaflar. En \u00fea\u00f0 verk var slagari kv\u00f6ldsins, \u00feessi skemmtilega s\u00fdn Ligeti’s \u00e1 naumhyggjuna, sem gefur hinni talsvert ver\u00f0lausu naumhyggju auki\u00f0 ver\u00f0gildi. Svona hjakki vesen sem m\u00e9r finnst flott \u00ed h\u00f6ndum Ligetis vegna \u00feess a\u00f0 \u00fea\u00f0 er raunverulegt hjakk me\u00f0 f\u00f6lskum t\u00f3num en ekki gr\u00fav me\u00f0 v\u00e6mnum sevent\u00eds fj\u00fasjon hlj\u00f3mum. Et\u00fd\u00f0urnar hins vegar, \u00feessir miklu do\u00f0rantar p\u00edan\u00f3b\u00f3kmennta \u00ed lok s\u00ed\u00f0ustu aldar (og reyndar fram \u00ed byrjun \u00feessarar), hin \u00f3spilanlega 3.b\u00f3k og allt \u00feetta… \u00fe\u00e6r runnu p\u00ednu saman eftir sm\u00e1 stund. 2.b\u00f3kin er kannski best a\u00f0 m\u00ednu mati en s\u00fa \u00feri\u00f0ja er \u00f6ll bara eins og var\u00edasj\u00f3n \u00e1 fyrsta kaflanum \u00ed fyrstu, n\u00f3tnarunur \u00ed sitthvorri hendi \u00ed \u00f3fyrirsj\u00e1anlegum taktskiptingum fr\u00e1 nor\u00f0ur-afr\u00edku. Rosalega mikil p\u00edan\u00f3m\u00fass\u00edk. Vo\u00f0alega svona f\u00ednir t\u00f3nleikar samt \u00fe\u00f3tt s\u00f3l\u00f3p\u00edanistinn Thomas Hell hef\u00f0i veri\u00f0 \u00f3\u00fearflega har\u00f0ur a\u00f0 m\u00ednu mati, enda hella\u00f0ur. P\u00edan\u00f3d\u00faettinn var miklu betri \u00ed t\u00edskuvitundinni, tv\u00e6r gamlar konur me\u00f0 risa-afr\u00f3-permanent. \u00de\u00f3 svo a\u00f0 \u00e9g s\u00e9 rosalega hrifinn af gullaldarstykkjum \u00feessa klass\u00edska t\u00f3nsk\u00e1lds \u00fe\u00e1 f\u00e9kk \u00e9g \u00fe\u00e1 flugu \u00ed h\u00f6fu\u00f0i\u00f0 eftir t\u00f3nleikana a\u00f0 kannski v\u00e6ri Ligeti samt sem \u00e1\u00f0ur U2 n\u00fat\u00edmat\u00f3nlistar. \u00deversmekkur, smekkur sko\u00f0anakannana, alflatt. Er \u00fea\u00f0 kannski? \u00dea\u00f0 eru kannski bara \u00feessi verk fr\u00e1 og me\u00f0 1985 sirka sem draga \u00far \u00e1st manns \u00e1 vi\u00f0fangsefninu. \u00dea\u00f0 er \u00ed rauninni sk\u00fdrleikinn sem hefur alltaf veri\u00f0 svo \u00e1berandi hj\u00e1 Ligeti, og a\u00f0 halda sig vi\u00f0 eina p\u00e6lingu og kl\u00e1ra hana og svona. En \u00feetta p\u00edan\u00f3hjakkf\u00f6ndur er ekkert spennandi \u00ed rauninni, \u00feetta er bara afturhvarf til Ungverska Bart\u00f3k\u00edska \u00fej\u00f3\u00f0lagapoppsins en me\u00f0 engum skemmtilegum \u00fej\u00f3\u00f0l\u00f6gum.<\/p>\n","protected":false},"excerpt":{"rendered":"
Written by Gu\u00f0mundur Steinn Gunnarsson m\u00e1nudagur, 07 j\u00fal\u00ed 2008 J\u00e1 \u00fe\u00e1 byrju\u00f0u fyrirlestrarnir, \u00fe\u00e1 byrja\u00f0i veseni\u00f0 mikla. \u00deetta er miki\u00f0 af f\u00f3lki, miki\u00f0 af sveittum ungum t\u00f3nsk\u00e1ldum, st\u00f3r kleinuhringur. James Clarke h\u00f3f leikinn \u00e1 \u00fev\u00ed a\u00f0 tala um verk sitt fr\u00e1 kv\u00f6ldinu \u00e1\u00f0ur sem \u00e9g ey\u00f0ilagg\u00f0i fyrir sj\u00e1lfum m\u00e9r me\u00f0 \u00fev\u00ed a\u00f0 bera \u00fea\u00f0 endalaust […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"_links":{"self":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/385"}],"collection":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=385"}],"version-history":[{"count":1,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/385\/revisions"}],"predecessor-version":[{"id":386,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/385\/revisions\/386"}],"wp:attachment":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=385"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}