Written by Gu\u00f0mundur Steinn Gunnarsson
\n\u00feri\u00f0judagur, 08 j\u00fal\u00ed 2008
\nM\u00e1nudagur.<\/p>\n
Dagurinn byrja\u00f0i me\u00f0 fyrirlestri Manos Tsangaris sem \u00e9g haf\u00f0i veri\u00f0 ansi spenntur fyrir. \u00deetta var \u00fe\u00f3 frekar lei\u00f0inleg l\u00edfsreynsla, a\u00f0allega s\u00f6kum \u00fe\u00fdzku. \u00de\u00fd\u00f0ingarnar voru mj\u00f6g f\u00e1ar, stuttar og litlar eftir langar bunur af tali. Manos var a\u00f0allega a\u00f0 kynna h\u00e1lfger\u00f0a \u00f3peru eftir sig sem \u00fev\u00ed mi\u00f0ur byggir \u00e1 orfe\u00f3 og evrid\u00eds en er frekar flott a\u00f0 \u00f6\u00f0ru leyti. Svi\u00f0i\u00f0 eru stoppist\u00f6\u00f0var \u00ed ne\u00f0anjar\u00f0arlestarst\u00f6\u00f0vum, en heilu r\u00famk\u00edl\u00f3metrunum af ne\u00f0anjar\u00f0arlestum var loka\u00f0 fyrir flutning verksins. \u00c1heyrendur fara \u00e1 milli st\u00f6\u00f0va og upp og ni\u00f0ur \u00ed lyftum og \u00e1 hverjum sta\u00f0 er t\u00f3nlist skr\u00fdtnir b\u00faningar og lj\u00f3sasj\u00f3, \u00fdmist opin n\u00f3tasj\u00f3n og f\u00f3lk \u00fat um allt og lj\u00f3s \u00fat um allt og stundum bara svona skipulagt og eftir n\u00f3tum. Hann s\u00fdndi \u00feetta allt af dvd disk og var lokakaflinn rosalegur \u00fear sem settar voru upp ansi raunverulegar styttur af f\u00f3lki a\u00f0 b\u00ed\u00f0a eftir lest \u00fear sem f\u00f3lki\u00f0 \u00e1 a\u00f0 fara \u00fat. Svo fara allir inn \u00ed \u00feann hluta byggingarnar sem er alv\u00f6u lestarst\u00f6\u00f0 \u00ed notkun og horfa \u00e1 far\u00feegana hlaupa um vi\u00f0 undirleik t\u00f3nlistar. Skemmtilegt en au\u00f0vita\u00f0 opna\u00f0i \u00feetta umr\u00e6\u00f0ur sem snerust ekki um t\u00e6kni og v\u00edsindi heldur var opna\u00f0 \u00e1 umr\u00e6\u00f0ur um l\u00edfi\u00f0, og \u00e9g heyr\u00f0i auglj\u00f3slega gegnum \u00fe\u00fdzkuna hversu lei\u00f0inlegar umr\u00e6\u00f0ur \u00feetta voru. M\u00e9r lei\u00f0 eins og \u00e9g v\u00e6ri kominn \u00e1 samnorr\u00e6na m\u00e1l\u00feings hringekju um hlutverk einstaklingsins \u00ed samf\u00e9laginu. \u00dej\u00f3\u00f0verjinn \u00e1 \u00feetta semsagt til l\u00edka.<\/p>\n
Eftir h\u00e1degi f\u00f3r \u00e9g \u00e1 fagottkynningu, \u00fear sem hinn nafntoga\u00f0i fagottleikari Pascal Gallois var bara a\u00f0 s\u00fdna t\u00f3nsk\u00e1ldum hitt og \u00feetta sni\u00f0ugt \u00e1 fagott. Mj\u00f6g skemmtilegt. Bara svoan trix og \u00fdmist. \u00dear beint \u00e1 eftir var fyrirlestur Robin Hoffmann sigurvegara Darmstadt fr\u00e1 \u00fev\u00ed \u00ed fyrra (en hann sl\u00f3 \u00ed gegn me\u00f0 verki fyrir g\u00e6saflautur eitthverjar, mj\u00f6g skr\u00fdti\u00f0) sem \u00e1tti fyrsta verki\u00f0 \u00e1 sinf\u00f3n\u00edut\u00f3nleikunum. Hann var a\u00f0allega a\u00f0 tala um sinf\u00f3n\u00edska verki\u00f0 sitt og hvernig \u00fea\u00f0 bygg\u00f0i \u00e1 Cari\u00f3luforleik Beethovens. Hann \u00fatsk\u00fdr\u00f0i a\u00f0eins hitt sundurlausa form sitt \u00e1 sannf\u00e6randi m\u00e1ta. A\u00f0 hlutirnir tengdust \u00ed \u201cnetworks\u201d frekar en \u201cpatchworks\u201d. P\u00e6ling. Hann kom l\u00edka me\u00f0 rosalegan gullmola var\u00f0andi a\u00f0 t\u00e1knfr\u00e6\u00f0i \u00ed uppl\u00fdsingami\u00f0lun til s\u00ednf\u00f3n\u00edskra hlj\u00f3\u00f0f\u00e6raleikara:\u201eef \u00fea\u00f0 er ekki til t\u00e1kn fyrir \u00fea\u00f0 \u00ed Sibelius er mj\u00f6g l\u00edklegt a\u00f0 \u00feeir geti ekki spila\u00f0 \u00fea\u00f0 me\u00f0 \u00feeim \u00e6fingart\u00edma sem \u00fe\u00fa hefur.\u201c J\u00e1h.<\/p>\n
Svo t\u00f3nleikar.<\/p>\n
Eitthver haf\u00f0i \u00fea\u00f0 \u00e1 or\u00f0i \u00ed dag a\u00f0 m\u00e1nudagst\u00f3nleikarnir hef\u00f0u veri\u00f0 bestir til \u00feessa en m\u00e9r fannst \u00feeir verstir. \u00dea\u00f0 voru t\u00f3nleikar Trio Accanto sem samanstendur af sax\u00f3f\u00f3nleikara sem er kennari \u00e1 h\u00e1t\u00ed\u00f0inni, p\u00edan\u00f3leikara og slagverksleikara. Verki\u00f0 byrja\u00f0i \u00e1 ungmenni kv\u00f6ldsins, Josef Sanz (f.1977). Bara frekar lei\u00f0inlegt. Asnalegir rytmar og eitthva\u00f0 lei\u00f0inlegt. N\u00e6st var d\u00e1ltill hittari, s\u00f3l\u00f3 slagverk fyrir skr\u00fdtna gorma og gler\u00e1h\u00f6ld, spila\u00f0 \u00e1 me\u00f0 hamri. Mj\u00f6g einkennilegt verk, p\u00ednu tilger\u00f0arlegt, en a\u00f0alega \u00fat af tilgangslausum s\u00f6ngp\u00f6rtum sem slagverksleikarinn var neyddur \u00fat \u00ed. Besta verk kv\u00f6ldsins var a\u00f0 m\u00ednu mati stykki hinnar austurr\u00edsku Olgu Neuwirth, en \u00ed \u00fev\u00ed var n\u00f6rdaskapur \u00far iem \u00ed Graz d\u00fandra\u00f0ur \u00fat \u00far pd-inu \u00ed fj\u00f3rum h\u00e1tulurum, samt p\u00ednu gamaldags en svona skemmtileg speisjaliseisjooon. Vinur hans Dav\u00ed\u00f0s hann Hans Thomalla \u00e1tti verk sem \u00e9g tengdi ekki miki\u00f0 vi\u00f0, hann vann darmstadt 2004 ef \u00e9g skil r\u00e9tt og virkar f\u00ednn gaur en var ekki a\u00f0 fatta verki\u00f0. T\u00f3nleikarnir endu\u00f0u \u00fe\u00f3 \u00e1 allra lei\u00f0inlegasta verkinu sem var eftir Brice Pauset. \u00c9g veit ekki hvort \u00e9g var illa fyrir kalla\u00f0ur e\u00f0a hvort \u00feetta hafi bara veri\u00f0 svona lei\u00f0inlegt. \u00d3\u00fearflega miki\u00f0 sama hlj\u00f3\u00f0f\u00e6raskipanin, og frekar l\u00edtill munur \u00e1 beitingu \u00fe\u00f3 t\u00f3nlistin hafi ekki alltaf veri\u00f0 eins, en flest verkin notu\u00f0u hlj\u00f3\u00f0f\u00e6rin til hins \u00fdtrasta \u00feannig a\u00f0 \u00feegar allt kemur saman var \u00fatkoman frekar gr\u00e1. <\/p>\n","protected":false},"excerpt":{"rendered":"
Written by Gu\u00f0mundur Steinn Gunnarsson \u00feri\u00f0judagur, 08 j\u00fal\u00ed 2008 M\u00e1nudagur. Dagurinn byrja\u00f0i me\u00f0 fyrirlestri Manos Tsangaris sem \u00e9g haf\u00f0i veri\u00f0 ansi spenntur fyrir. \u00deetta var \u00fe\u00f3 frekar lei\u00f0inleg l\u00edfsreynsla, a\u00f0allega s\u00f6kum \u00fe\u00fdzku. \u00de\u00fd\u00f0ingarnar voru mj\u00f6g f\u00e1ar, stuttar og litlar eftir langar bunur af tali. Manos var a\u00f0allega a\u00f0 kynna h\u00e1lfger\u00f0a \u00f3peru eftir sig sem \u00fev\u00ed […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"_links":{"self":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/383"}],"collection":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=383"}],"version-history":[{"count":1,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/383\/revisions"}],"predecessor-version":[{"id":384,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/383\/revisions\/384"}],"wp:attachment":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}