{"id":377,"date":"2008-07-13T18:30:50","date_gmt":"2008-07-13T22:30:50","guid":{"rendered":"http:\/\/slatur.is\/?p=377"},"modified":"2009-11-07T18:31:38","modified_gmt":"2009-11-07T22:31:38","slug":"darmstadt-mi%c3%b0vikudagur","status":"publish","type":"post","link":"https:\/\/www.slatur.is\/?p=377","title":{"rendered":"Darmstadt-Mi\u00f0vikudagur."},"content":{"rendered":"<p>Written by Gu\u00f0mundur Steinn Gunnarsson<br \/>\nsunnudagur, 13 j\u00fal\u00ed 2008<\/p>\n<p>  \u00dea\u00f0 voru tveir \u00e1g\u00e6tis fyrirlestrar sem \u00e9g s\u00e1 \u00e1 mi\u00f0vikudag. Fyrst var \u00fea\u00f0 sax\u00f3f\u00f3nleikarinn Marcus Weiss sem kynnti n\u00fd\u00fatkomna b\u00f3k s\u00edna um framlengda t\u00e6kni og fleira. \u00dea\u00f0 var \u00e1hugaver\u00f0ur f\u00fanksj\u00f3nal fyrirlestur, hann tala\u00f0i l\u00edkt og trompetleikarinn kn\u00e1i gegn \u00fev\u00ed a\u00f0 hugsa um framlengda t\u00e6kni sem svona valm\u00f6guleika \u00e1 lista (e\u00f0li neysluhyggjunnar og \u00fear me\u00f0 s\u00ed\u00f0n\u00fahyggju, innskot undirrita\u00f0s) heldur a\u00f0 skilja hvernig \u00fe\u00e6r tengjast og hvernig \u00feetta virkar, sv\u00e6\u00f0i sem eru tengd og virka vel saman t.d. \u00cd svona multif\u00f3n\u00edkkum.<\/p>\n<p> N\u00e6st var fyrirlestur Misato Mochikuzi. Flott t\u00f3nd\u00e6mi, ver\u00f0 \u00e9g a\u00f0 segja. Rosalega f\u00edn orkestrasj\u00f3n af svona myndr\u00e6nni d\u00fdral\u00edfsorkestrasj\u00f3n sem var skemmtilega \u00f3tungum\u00e1lakennd, \u00ed bakgrunni var svona fjarl\u00e6gur p\u00fals sem h\u00fan tala\u00f0i um sem svona m\u00e6listiku. H\u00fan tala\u00f0i \u00f3markvisst um \u00e1hrif \u00far v\u00edsindum og f\u00f3r \u00ed rauninni ekki dj\u00fapt \u00ed neitt heldur spila\u00f0i vanda\u00f0a vel hlj\u00f3mandi m\u00fass\u00edk og kom me\u00f0 svona litlar p\u00e6lingar \u00feess \u00e1 milli sem voru \u00e1hugaver\u00f0ar. H\u00fan \u00fatsk\u00fdr\u00f0i endurtekningar s\u00ednar me\u00f0 \u00e1huga s\u00ednum \u00e1 lj\u00f3smyndum og l\u00f6ngun til \u00feess a\u00f0 frysta augnablik. Svona fl\u00f6ff\u00ed en skemmtilegar p\u00e6lingar. Einnig um Buckminster Fuller og bl\u00f6\u00f0ru borgir, e\u00f0a borgir sem sv\u00edfa \u00ed lausu lofti og verk sem h\u00fan bygg\u00f0i \u00e1 \u00feeirri p\u00e6lingu.<\/p>\n<p> \u00de\u00e1 var fer\u00f0inni heiti\u00f0 \u00ed \u00ed\u00fer\u00f3ttah\u00fas \u00e1 t\u00f3nleika Ascolta h\u00f3pnum, en flest verkin voru eftir frekar ung t\u00f3nsk\u00e1ld. \u00d6ll verkin voru fyrir svona sirka 8-10 hlj\u00f3\u00f0f\u00e6ri. Fyrst var verk eftir eftur M\u00f6rtu Gentilucci. \u00dea\u00f0 fannst m\u00e9r frekar vemmilegt \u00ed s\u00e1ndi. Elektr\u00f3n\u00edsk hlj\u00f3\u00f0 l\u00e9ku st\u00f3rt hlutverk og ur\u00f0u d\u00e1ldi\u00f0 vafas\u00f6m \u00e1 k\u00f6flum, einstaklega vafasamur var rafbassapartur. N\u00e6sta verk var eftir Annesley Black. \u00deegar verki\u00f0 byrja\u00f0i \u00fe\u00e1 hugsa\u00f0i \u00e9g me\u00f0 m\u00e9r a\u00f0 \u00feetta v\u00e6ri bomban, alla vega \u00fea\u00f0 besta hinga\u00f0 til. Tja byrjunin var alla vega mj\u00f6g g\u00f3\u00f0, \u00fea\u00f0 var svona pupu me\u00f0 mj\u00fata\u00f0ann trompet og slide banj\u00f3 \u00ed broddi fylkingar. Svo f\u00f3r \u00fea\u00f0 skyndilega \u00ed eitthverja gliss org\u00edu milli sell\u00f3s og bl\u00e1s\u00fdju og svo eitthva\u00f0 p\u00ednu anna\u00f0 og anna\u00f0. M\u00e9r fannst verki\u00f0 ekki halda sig n\u00f3gu afmarka\u00f0 en Dav\u00ed\u00f0 fannst \u00fea\u00f0 vera of afmarka\u00f0. \u00dea\u00f0 er kannski sama vandam\u00e1li\u00f0 (meira \u00fea\u00f0 sama e\u00f0a aldrei \u00fea\u00f0 sama eru a\u00f0 m\u00f6rug leyti skildari hugt\u00f6k en stundum \u00fea\u00f0 sama me\u00f0 andst\u00e6\u00f0um). Eduardo Moguillansky \u00e1tti s\u00ed\u00f0an svona vel ortan hittara sem hann stj\u00f3rna\u00f0i sj\u00e1lfur. Rosalega vel gert og stutt og laggott en \u00e1kaflega \u00f3frumlegt. \u00deetta var kannski svona sm\u00e1 lachenmann me\u00f0 r\u00f3m\u00f6nsk \u00e6ttu\u00f0um bl\u00e6brig\u00f0um. Verki\u00f0 var of f\u00ednt og er \u00fev\u00ed vont, fellur \u00ed ormag\u00f6ngin (sj\u00e1 kort p\u00e1ls um sk\u00fdrleika og g\u00e6\u00f0i). S\u00ed\u00f0asta verki\u00f0 er gagnst\u00e6tt a\u00f0 segja um. \u00dea\u00f0 var verki\u00f0 abgewandt-musik fur h\u00f6rende eftir Nikulaus Brass. \u00dea\u00f0 var groddalegt og svona \u201el\u00e9legra\u201c \u00ed n\u00fa\u00f6nsum og hno\u00f0i en verki\u00f0 \u00e1 undan en svaka f\u00ednt h\u00e1va\u00f0i og p\u00f6nk me\u00f0 h\u00e1v\u00e6rum bl\u00e1s\u00fdum og slagverki og svo l\u00e1gv\u00e6rir kaflar inn \u00e1 milli. \u00d6fugt vi\u00f0 verki\u00f0 \u00e1 undan var \u00fea\u00f0 hins vegar langt og ekkert \u00ed seinni hluta \u00feess virtist r\u00e9ttl\u00e6ta lengdina, fr\u00e1 m\u00ednum b\u00e6jardyrum s\u00e9\u00f0.<\/p>\n<p> Um kv\u00f6ldi\u00f0 voru svo t\u00f3nleikar me\u00f0 einni af \u201eg\u00f6mlu hetjunum.\u201c En \u00fea\u00f0 er gamla hetjann sem enginn man eftir og enginn veit af hverju hann er einn af hetjunum miklu (af f\u00f3lki \u00ed kringum mig). En hann \u00e1 eitt \u00f3umdeilanlegt framyfir flestar af hinum g\u00f6mlu hetjunum, j\u00fa, hann er ekki dau\u00f0ur. Vi\u00f0 erum a\u00f0 tala um Gyorgy Kurtag. J\u00e1 hann. \u00dea\u00f0 er bara eitt verk eftir hann sem \u00e9g hef hlusta\u00f0 \u00e1 af athygli og m\u00e9r fannst \u00fea\u00f0 lei\u00f0inlegt fyrst og svo hlusta\u00f0i \u00e9g \u00e1 \u00fea\u00f0 me\u00f0 skorinu og fannst \u00fea\u00f0 fr\u00e1b\u00e6rt \u00fe\u00e1. \u00dev\u00ed mi\u00f0ur man \u00e9g ekki hva\u00f0 \u00fea\u00f0 heitir. En vandam\u00e1l mitt vi\u00f0 hans t\u00f3nlist er a\u00f0 h\u00fan er kannski jafnvel eldri en hann er. J\u00fa, h\u00fan byggir \u00e1 l\u00ednum og svolei\u00f0is. \u00deess vegna \u00e1 hann miki\u00f0 af l\u00f6ngum verkum fyrir f\u00e1 hlj\u00f3\u00f0f\u00e6ri. \u00deessir t\u00f3nleikar voru fokking tveir t\u00edmar af klass\u00edsku rugli. Fyrst var helv\u00edti \u00f3ge\u00f0slega langur d\u00faett fyrir s\u00f3pran og fi\u00f0lu. Hlj\u00f3\u00f0f\u00e6raleikararnir f\u00f3ru alveg \u00e1 kostum og m\u00fass\u00edseru\u00f0u svolei\u00f0is alveg bara, ha. Verki\u00f0 er r\u00f6\u00f0 af m\u00edniat\u00farum sem notast vi\u00f0 brot \u00far sk\u00e1lds\u00f6gum Kafka sem texta. \u00deegar \u00e9g segji r\u00f6\u00f0 af m\u00edn\u00edat\u00farum \u00fe\u00e1 meina \u00e9g mj\u00f6g l\u00f6ng r\u00f6\u00f0 af \u00f3ge\u00f0slega m\u00f6rgum m\u00edn\u00edat\u00farum. M\u00edn\u00edat\u00fararnir skiptast \u00ed 4 st\u00f3rar gr\u00fappur og \u00feegar \u00feri\u00f0ja var a\u00f0 byrja var \u00e9g \u00feegar farinn a\u00f0 hugsa m\u00e9r lei\u00f0 \u00fat \u00far \u00feessum heimi. H\u00e1punktur verksins var \u00feegar \u00fea\u00f0 var b\u00fai\u00f0, af \u00fev\u00ed \u00fea\u00f0 var b\u00fai\u00f0, en h\u00e1punktur kv\u00f6ldsins var a\u00f0 sj\u00e1 Kurtag gamla skj\u00e1lfandi af \u00e1n\u00e6gju  me\u00f0 flytjendurna \u00ed sitthvorum l\u00f3fanum og lyfti skj\u00e1lfandi h\u00f6ndum upp og \u00e1heyrendur hylltu sem gu\u00f0. Af skyldur\u00e6kninni einni f\u00f3r \u00e9g ekki \u00ed hl\u00e9inu og hlusta\u00f0i \u00e1 byrjunina \u00e1 n\u00e6sta verki sem var talsvert sk\u00e1rra, en nei, \u00feolinm\u00e6\u00f0i m\u00edn var b\u00fainn og eftir \u00ferj\u00e1 m\u00ednat\u00fara \u00ed \u00fev\u00ed langa m\u00ednat\u00faraverki (fyrir slagverk, bar\u00edt\u00f3n, fi\u00f0lu, v\u00ed\u00f3lu og sell\u00f3) f\u00f3r \u00e9g \u00fat, hinga\u00f0 og ekki lengra. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Written by Gu\u00f0mundur Steinn Gunnarsson sunnudagur, 13 j\u00fal\u00ed 2008 \u00dea\u00f0 voru tveir \u00e1g\u00e6tis fyrirlestrar sem \u00e9g s\u00e1 \u00e1 mi\u00f0vikudag. Fyrst var \u00fea\u00f0 sax\u00f3f\u00f3nleikarinn Marcus Weiss sem kynnti n\u00fd\u00fatkomna b\u00f3k s\u00edna um framlengda t\u00e6kni og fleira. \u00dea\u00f0 var \u00e1hugaver\u00f0ur f\u00fanksj\u00f3nal fyrirlestur, hann tala\u00f0i l\u00edkt og trompetleikarinn kn\u00e1i gegn \u00fev\u00ed a\u00f0 hugsa um framlengda t\u00e6kni sem svona [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"_links":{"self":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/377"}],"collection":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=377"}],"version-history":[{"count":1,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/377\/revisions"}],"predecessor-version":[{"id":378,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/377\/revisions\/378"}],"wp:attachment":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}