Written by \u00der\u00e1inn Hj\u00e1lmarsson
\nsunnudagur, 20 j\u00fal\u00ed 2008
\nT\u00f3nleikar \u00ed Sk\u00e1lholti Laugardaginn 19.j\u00fal\u00ed 2008 kl. 17<\/p>\n
Kolbeinn Bjarnason h\u00e9lt t\u00f3nleika \u00e1samt Gu\u00f0r\u00fanu \u00d3skarsd\u00f3ttur \u00ed Sk\u00e1lholti laugardaginn 19.j\u00fal\u00ed sem a\u00f0 bar titilinn \u00f6fganna \u00e1 milli 2 \u00fear sem flutt voru verk eftir Tosio Hosokawa, Brian Ferneyhough, Mario Lavista, Diana Rotaru, Noriku Miura og Huga Gu\u00f0mundsson. Tilefni\u00f0 var h\u00e1lfrar aldar afm\u00e6li Kolbeins \u00ed \u00e1r.<\/p>\n
A\u00f0 s\u00e6kja t\u00f3nleika \u00ed Sk\u00e1lholti \u00fearfnast t\u00e6kni hva\u00f0 \u00fea\u00f0 kemur a\u00f0 \u00fev\u00ed a\u00f0 hagr\u00e6\u00f0a t\u00edmanum, \u00e9g var a\u00f0 m\u00e9r fannst endalaust lengi a\u00f0 komast \u00fat\u00far K\u00f3pavoginum, \u00fear sem K\u00f3pavogurinn n\u00e6r alveg fram fyrir litlu kaffistofuna, Kolbeinn h\u00e9lt fyrirlestur um verkin og sk\u00e1ldin fyrir t\u00f3nleikana.<\/p>\n
Kolbeinn er \u00e6\u00f0islegur fyrirlesari, stemningin er yfirvegu\u00f0 og alveg sama hva\u00f0 hann tekur fyrir, \u00fea\u00f0 kemur enginn efasemdartilfinning um lei\u00f0 og ma\u00f0ur skilur ekki alveg. \u00dea\u00f0 sem \u00e9g haf\u00f0i mestar m\u00e6tur \u00e1 var a\u00f0 heyra hvernig hann k\u00e6mi a\u00f0 \u00feessum verkum en vegna \u00feess hve erfilega t\u00f3kst a\u00f0 komast \u00fat\u00far K\u00f3pavoginum n\u00e1\u00f0i \u00e9g bara korteri sem a\u00f0 f\u00f3r \u00ed Brian Ferneyhough og sag\u00f0i hann fr\u00e1 a\u00f0komu sinni a\u00f0 t\u00f3nlist Ferneyhoughs, h\u00fan var \u00ed bland sett upp\u00ed fyndni og ekki, m\u00f6gulega til \u00feess a\u00f0 hr\u00e6\u00f0a ekki \u00fe\u00e1 sem komnir voru. Svona t\u00f3nsm\u00ed\u00f0ar\u00fank getur veri\u00f0 mesta Narn\u00eda fyrir leikmenn, \u00fea\u00f0 vitlausasta sem ma\u00f0ur gerir sem leikma\u00f0ur er a\u00f0 skella s\u00e9r strax dj\u00fapt inn\u00ed Narn\u00eduna, \u00fear tekur vi\u00f0 ekkert anna\u00f0 en vonbrig\u00f0in, sem a\u00f0 l\u00fdsir s\u00e9r \u00ed afneitun. \u00dea\u00f0 sem a\u00f0 m\u00ednu mati var eftirteknarver\u00f0ast var hans anal\u00fdsa \u00e1 verki Ferneyhoughs “Mnemosyne” fyrir bassaflautu og tape, hann vildi meina a\u00f0 verki\u00f0 v\u00e6ri nokkurs konar gest\u00farusm\u00ed\u00f0 samsett \u00far frekar m\u00f6rgum k\u00f6flum, \u00fear sem grunntemp\u00f3 a\u00f0skildi hvern hlut fyrir sig, \u00feetta var vitaskuld sm\u00e1 einf\u00f6ldun fyrir f\u00f3lki\u00f0 sem a\u00f0 hl\u00fdddi \u00e1 fyrirlesturinn. Sk\u00fdr\u00f0i hann einnig fr\u00e1 tengslum \u00fe\u00e1tta verksins, \u00feessi anal\u00fdsa fannst m\u00e9r einungis drepa \u00e1 einhverju yfirbor\u00f0i sem a\u00f0 var ekki endilega s\u00f6nn, sannf\u00e6r\u00f0ur um a\u00f0 m\u00edkr\u00f3 verksins s\u00e9 \u00feeim mun str\u00fakt\u00farera\u00f0ra, jafnvel eru \u00feessar temp\u00f3breytingar \u00ed hlutum verksins hluti af kerfi fyrir \u00fe\u00e9ttni efnis og uppl\u00fdsinga hj\u00e1 honum, \u00e9g veit annars ekkert um Ferneyh\u00e1finn, v\u00e6ri rosa til \u00ed a\u00f0 heyra einhverja punkta um hans m\u00fas\u00edk.<\/p>\n
T\u00f3nleikarnir sj\u00e1lfir voru samsettir af nokku\u00f0 m\u00f6rgum r\u00e6\u00f0um, nokkrum einr\u00e6\u00f0um og nokkrum d\u00edal\u00f3gum, \u00f6ll m\u00fas\u00edkin sem var flutt \u00e1 t\u00f3nleikunum var rhetor\u00edsk, Kolbeinn n\u00e1\u00f0i a\u00f0 breg\u00f0a s\u00e9r \u00ed nokku\u00f0 m\u00f6rg mismunandi hlutverk \u00ed r\u00e6\u00f0um s\u00ednum. \u00deeir karakterar sem a\u00f0 stigu \u00ed pontu voru fr\u00e1 kl\u00e1mkenndum (kl\u00e1m = illa ger\u00f0ur hlutur) ofsat\u00e6kism\u00f6nnum(Hosokawa stykki\u00f0) til \u00fe\u00f6glum\u00e6lts drukkins f\u00e9laga (Ferneyhough stykki\u00f0)<\/p>\n
Mnemosyne eftir Brian Ferneyhough er vissulega ofhla\u00f0i\u00f0 uppl\u00fdsingum, en \u00fea\u00f0 er svo fagurt hvernig ma\u00f0urinn sorterar \u00fat uppl\u00fdsingar, heildin var ekkert anna\u00f0 en \u00fe\u00f6glum\u00e6ltur drykkjuma\u00f0ur sem a\u00f0 reynir a\u00f0 segja svo margt \u00ed einni setningu, oftast myndi s\u00e1 ma\u00f0ur enda \u00e1 or\u00f0um l\u00edkt og “skilurru?” og “\u00fe\u00fa ert svo fr\u00e1b\u00e6r, \u00e9g er a\u00f0 segja \u00fe\u00e9r \u00fea\u00f0, ekki d\u00e6ma b\u00f3kina \u00fatfr\u00e1 k\u00e1punni!” Ferneyhough sleppir sl\u00edku en Kolbeinn dregur fram sl\u00edk hrif \u00ed flutningnum.<\/p>\n
L\u00edkt og \u00e9g hef sagt \u00fe\u00e1 voru \u00f6ll stykkin Rhetor\u00edsk, sem sums\u00e9 gera r\u00e1\u00f0 fyrir a\u00f0 hlutir s\u00e9u og a\u00f0rir hlutir s\u00e9u ekki (A og ekki A) formhlutar voru ekkert svo skemmtilegir A A’ B C \u00ed Noriko Miura stykkinu sem var me\u00f0 verki\u00f0 Narkissos og Echo (2007)<\/p>\n
Hugi Gu\u00f0mundsson \u00e1tti verk (Ascendi fyrir altflautu og sembal) sem a\u00f0 hlj\u00f3ma\u00f0i einsog sagt var \u00ed pr\u00f3gramminu “upp\u00e1vi\u00f0”, \u00e9g veit ekki hva\u00f0 hann vildi meina me\u00f0 \u00fev\u00ed, \u00fev\u00ed j\u00fa allt \u00ed stykkinu leita\u00f0i upp\u00e1vi\u00f0, \u00e9g var mj\u00f6g feginn a\u00f0 vera kominn svona langt a\u00f0 \u00far k\u00f3pavoginum \u00fat\u00ed Sk\u00e1lholt til a\u00f0 lyfta m\u00e9r a\u00f0eins upp. En \u00fea\u00f0 er skemmtilegt a\u00f0 fylgjast me\u00f0 hverju skrefi hj\u00e1 Huga, hann sem a\u00f0 \u00fereifar sig varlega \u00e1fram \u00ed t\u00f3nefni, (s\u00ed\u00f0ast s\u00e1 \u00e9g Hex fyrir strengi og horn), alltaf tilb\u00fa\u00ednn \u00ed a\u00f0 hosa til baka ef \u00fea\u00f0 stefnir \u00ed \u00f3g\u00f6ngur.<\/p>\n
Diana Rotaru \u00e1tti verki\u00f0 “Play!” fyrir flautu og sembal, sem var \u00e1g\u00e6tis d\u00edal\u00f3g sembals og flautu, flautan sag\u00f0i eitt og semballinn t\u00f3k sm\u00e1 undir \u00fe\u00e1 or\u00f0ar\u00e6\u00f0u og svo var\u00f0 almenn samsta\u00f0a, \u00fea\u00f0 sem heilla\u00f0i mig var n\u00fdtt hlutverk sembalsins, \u00e9g veit a\u00f0 oftast eru hlj\u00f3\u00f0f\u00e6ri gildishla\u00f0inn \u00e1kve\u00f0num tilfinningabl\u00e6, semballinn hefur dotti\u00f0 inn\u00ed svona g\u00edr hefur m\u00e9r fundist en Diana t\u00f3kst a\u00f0 b\u00faa til eitthva\u00f0 sm\u00e1 n\u00fdtt \u00feegar kemur a\u00f0 \u00fev\u00ed.<\/p>\n
\u00dea\u00f0 kom samt \u00e1 \u00f3vart a\u00f0 engin \u00feessara r\u00e6\u00f0a innih\u00e9lt einhvers konar byrjunar\u00e1varp e\u00f0a svona “comic relief” sem er svo mikilv\u00e6gt \u00ed m\u00e6lskulistinni, a\u00f0 meira segja Bach \u00e1 svona til a\u00f0 leyfa einhverju \u00f6\u00f0ru a\u00f0 koma inn sem a\u00f0 hefur ekkert a\u00f0 segja me\u00f0 s\u00f6guna r\u00e6\u00f0una sj\u00e1lfa.<\/p>\n
Klapplaust Sk\u00e1lholti\u00f0 er magna\u00f0, hvergi annars sta\u00f0ar ver\u00f0ur ma\u00f0ur jafnrugla\u00f0ur \u00ed hvernig ma\u00f0ur g\u00e6ti gefi\u00f0 \u00ed skyn \u00e1n\u00e6gju s\u00edna me\u00f0 flutninginn. \u00dearna er kippt undan gagnr\u00fdni \u00e1horfandans \u00e1 me\u00f0an leikunum stendur, Stefnum \u00e1 klappandi Sk\u00e1lholt 2012!<\/p>\n
-\u00der\u00e1inn Hj\u00e1 <\/p>\n","protected":false},"excerpt":{"rendered":"
Written by \u00der\u00e1inn Hj\u00e1lmarsson sunnudagur, 20 j\u00fal\u00ed 2008 T\u00f3nleikar \u00ed Sk\u00e1lholti Laugardaginn 19.j\u00fal\u00ed 2008 kl. 17 Kolbeinn Bjarnason h\u00e9lt t\u00f3nleika \u00e1samt Gu\u00f0r\u00fanu \u00d3skarsd\u00f3ttur \u00ed Sk\u00e1lholti laugardaginn 19.j\u00fal\u00ed sem a\u00f0 bar titilinn \u00f6fganna \u00e1 milli 2 \u00fear sem flutt voru verk eftir Tosio Hosokawa, Brian Ferneyhough, Mario Lavista, Diana Rotaru, Noriku Miura og Huga Gu\u00f0mundsson. Tilefni\u00f0 […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"_links":{"self":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/365"}],"collection":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=365"}],"version-history":[{"count":1,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/365\/revisions"}],"predecessor-version":[{"id":366,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/365\/revisions\/366"}],"wp:attachment":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}