{"id":353,"date":"2008-10-12T18:09:18","date_gmt":"2008-10-12T22:09:18","guid":{"rendered":"http:\/\/slatur.is\/?p=353"},"modified":"2009-11-07T18:09:54","modified_gmt":"2009-11-07T22:09:54","slug":"vigsluathofn-karlheinz-stockhausen-studiosins-10oktober-2008","status":"publish","type":"post","link":"https:\/\/www.slatur.is\/?p=353","title":{"rendered":"V\u00edgsluath\u00f6fn Karlheinz Stockhausen st\u00fad\u00ed\u00f3sins 10.okt\u00f3ber 2008"},"content":{"rendered":"<p>Written by \u00der\u00e1inn Hj\u00e1lmarsson<br \/>\nsunnudagur, 12 okt\u00f3ber 2008<br \/>\nV\u00edgsluath\u00f6fn Karlheinz Stockhausen stud\u00ed\u00f3sins \u00ed Haag 10. okt\u00f3ber 2008 \u00ed Konunglega Conservator\u00edinu \u00ed Haag.<\/p>\n<p>Gilius van Bergeijk eigandi st\u00fad\u00ed\u00f3s conservator\u00edsins \u00e1kva\u00f0 a\u00f0 tileinka minningu Karlheinz Stockhausen-i stud\u00ed\u00f3i\u00f0. Af \u00feeirri \u00e1st\u00e6\u00f0u a\u00f0 b\u00fana\u00f0ur \u00feess er a\u00f0 mestu innbl\u00e1sinn af fyrri verkum Stockhausens \u00fear sem \u00fe\u00e1verandi eigandi Dick Raajmaker s\u00e1 um t\u00e6kjakaup og leit miki\u00f0 upptil \u00feessa unga snillings \u00e1 \u00feeim t\u00edma. Stockhausen hefur oftar en einu sinni og oftar en tvisvar komi\u00f0 \u00ed heims\u00f3kn \u00ed sk\u00f3lann og haldi\u00f0 fyrirlestra og unni\u00f0 me\u00f0 hlj\u00f3\u00f0f\u00e6raleikurum. Stockhausen kynntist seinni eiginkonu sinni (\u00feri\u00f0ja eiginlega \u00fear sem hann var skilinn) \u00ed Conservator\u00edinu \u00fear sem h\u00fan var fyritaks flautunemandi \u00fe\u00e1 t\u00e6plega tv\u00edtug og hann \u00e1 f\u00ednum aldri \u00ed 80&#8217;s-inu.<\/p>\n<p>Inn\u00ed st\u00fad\u00ed\u00f3inu sem a\u00f0 hefur alls konar gr\u00e6jur einsog modular synthesizera, plate-reverb, 4 reel-to-reel gr\u00e6jur, macintosht\u00f6lvu og forl\u00e1tan og risast\u00f3ran mixer og quatrof\u00f3n\u00edskt hlj\u00f3\u00f0kerfi leynist einnig risast\u00f3r innramma\u00f0ur papp\u00edr me\u00f0 handskrift Stockhausens \u00fear sem hann \u00fatsk\u00fdrir eitt af stj\u00f6rnumerkjunum, gl\u00f6ggir menn vita a\u00f0 \u00fea\u00f0 leynist villa \u00ed \u00fatsk\u00fdringunni hans \u00fear en \u00feetta er einkar fallegt a\u00f0 sj\u00e1 me\u00f0 barnalitunum til a\u00f0greiningar (\u00e6tli \u00feetta s\u00e9 ekki li\u00f0ur \u00ed flokkunarkerfinu hans), \u00feessa \u00fatsk\u00fdringu ger\u00f0i hann \u00ed 80&#8217;s-inu \u00e1 fyrirlestri vi\u00f0 Conservator\u00edi\u00f0.<\/p>\n<p>Vegna v\u00edgslu st\u00fad\u00ed\u00f3sins var fengin seinni ekkja Stockhausens og fyrrum flautunemandi sk\u00f3lans til \u00feess a\u00f0 vera vi\u00f0st\u00f6dd setninguna og subst\u00edt\u00fat Stockhausens, \u00ed tilefninu voru flutt tv\u00f6 verk eftir hann, Klavierstucke IX og svo a\u00f0 lokum 13 klukkustundin \u00ed s\u00f3lahringsverkjahringnum hans, Cosmic pulses sem er rafverk fyrir 8 punkta hlj\u00f3\u00f0kerfi og \u00fatsk\u00fdringar\/uppskrift fylgja. Me\u00f0 engu a\u00f0spur\u00f0u leyfi birtist sk\u00fdringin h\u00e9r:<\/p>\n<p>&#8220;24 melodic loops, each of which has a different number of pitches between 1 and 24, rotate in 24 tempi and in 24 registers within a range of circa 7 octaves. The tempi 240 &#8211; 1.17 apply to sequences of 8 pulses. Thus tempo 24 means: 240 x 8 = 1920 pulses. Thus tempo 1: 1.17 x 8 = 9.36 pulses per minute&#8221;.<\/p>\n<p>&#8220;The loops are successively layered on top of each other from low to high and from the slowest to the fastest tempo, and end one after another in the same order&#8221;.<\/p>\n<p>&#8220;They were enlivened by manual regulation of the accelerandi and ritardandi around the respective tempo, and by quite narrow glissandi upwards and downwards around the original melodies. This was carried out by Kathinka Pasveer according to the score&#8221;<\/p>\n<p>&#8220;For the first time, I have tried out superimposing 24 layers of sound, as if I had to compose the orbits of 24 moons or 24 planets (for example, the planet Saturn has 48 moons).&#8221; &#8220;If it is possible to hear everything I do not yet know &#8211; it depends on how often one can experience an 8-channel performance. In any case, the experiment is extremely fascinating&#8221;.<\/p>\n<p>&#8220;What is completely new for me is the new kind of spatialization: each section of each of the 24 layers has its own spatial motion between 8 loudspeakers, which means that I had to compose 241 different trajectories in space. That sounds very technical &#8211; and it is<\/p>\n<p>For the first time, I have tried out superimposing 24 layers of sound, as if I had to compose the orbits of 24 moons or 24 planets (for example, the planet Saturn has 48 moons).<\/p>\n<p>For making this possible, I am grateful to Joachim Haas and Gregorio Karman, collaborators in the Expermental Studio for Acoustical Art in Freiburg.<\/p>\n<p>The loops and the synchronisation were realised by my collaborator Antonio P\u00e9rez Abell\u00e1n.<\/p>\n<p>If it is possible to hear everything. I do not yet know &#8211; it depends on how often one can experience an 8-channel performance. In any case, the experiment is extremely fascinating!<\/p>\n<p>COSMIC PULSES was commissioned by Dissonanze (Rome) and the Artistic Director Massimo Simonini of the Italian concert organisation Angelica. The world prem\u00ecere took place on May 7th 2007 at the Auditorium Parco della Musica in Rome.<\/p>\n<p>Karlheinz Stockhausen&#8221;<\/p>\n<p>Tilvitnun l\u00fdkur.<\/p>\n<p>Fyrir flutning verksins vildi ekkja hans taka \u00fea\u00f0 sk\u00fdrt fram a\u00f0 lj\u00f3sin ver\u00f0i sl\u00f6kkt \u00e1 me\u00f0an flutningi stendur yfir \u00ed circa. 32 m\u00edn\u00fatur en fyrir myrkhr\u00e6dda var tunglinu varpa\u00f0 \u00e1 svartan vegg salarins og s\u00ed\u00f0an kom h\u00fan s\u00e9r fyrir \u00ed einkar kunnulegri p\u00f3su fyrir aftan mixerinn og ger\u00f0i ekkert \u00e1 me\u00f0an en h\u00fan var v\u00f6r um sig \u00e1 me\u00f0an og sleppti ekki puttunum af mixernum allt \u00ed \u00fe\u00e1gu leiklistarinnar.<\/p>\n<p>J\u00fam, \u00e1 kynningarfundi Sl\u00e1tursins vildi \u00e9g koma \u00fev\u00ed \u00e1 framf\u00e6ri a\u00f0 Stockhausen var kominn \u00fat\u00ed eitt st\u00f3rt leikh\u00fas og hann vissi af \u00fev\u00ed, hann var\u00f0 a\u00f0 fyrirb\u00e6ri og \u00e1 flutningum f\u00e9kk \u00e9g aumar arfleif\u00f0ir af \u00fev\u00ed leikh\u00fasi. Vissulega r\u00f3mant\u00edsk s\u00fdn \u00e1 t\u00f3nsk\u00e1ld a\u00f0 upphefja Stockhausen, en \u00fea\u00f0 ver\u00f0ur a\u00f0 muna a\u00f0 hann vann hart a\u00f0 \u00fev\u00ed a\u00f0 b\u00faa til \u00feetta leikh\u00fas sitt, hann er sitt metaf\u00fds\u00edska Beyruth, t\u00f3nlistin hans ver\u00f0ur alltaf umlukin \u00feessu leih\u00fasi, \u00fea\u00f0 \u00fearf kannski a\u00f0 fara til Beyruth til a\u00f0 upplifa Wagner almennilega en me\u00f0 Stockhausen \u00fe\u00e1 \u00feykir n\u00f3g a\u00f0 kl\u00e6\u00f0ast appels\u00ednugulu \u00e1 f\u00f6stud\u00f6gum!<\/p>\n<p>-\u00deH <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Written by \u00der\u00e1inn Hj\u00e1lmarsson sunnudagur, 12 okt\u00f3ber 2008 V\u00edgsluath\u00f6fn Karlheinz Stockhausen stud\u00ed\u00f3sins \u00ed Haag 10. okt\u00f3ber 2008 \u00ed Konunglega Conservator\u00edinu \u00ed Haag. Gilius van Bergeijk eigandi st\u00fad\u00ed\u00f3s conservator\u00edsins \u00e1kva\u00f0 a\u00f0 tileinka minningu Karlheinz Stockhausen-i stud\u00ed\u00f3i\u00f0. Af \u00feeirri \u00e1st\u00e6\u00f0u a\u00f0 b\u00fana\u00f0ur \u00feess er a\u00f0 mestu innbl\u00e1sinn af fyrri verkum Stockhausens \u00fear sem \u00fe\u00e1verandi eigandi Dick Raajmaker [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"_links":{"self":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/353"}],"collection":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=353"}],"version-history":[{"count":1,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/353\/revisions"}],"predecessor-version":[{"id":354,"href":"https:\/\/www.slatur.is\/index.php?rest_route=\/wp\/v2\/posts\/353\/revisions\/354"}],"wp:attachment":[{"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=353"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.slatur.is\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}